Building Worlds Out Of Words: Some Books I Enjoyed Reading For Pleasure In 2024

It has become a custom of mine to look back on each year and write about the books I read over the year for pleasure and for personal enlightenment. As an academic, I do a lot of reading relating to my research projects and to the courses I teach, but I also try to keep up with other fields and subjects that I find interesting, which may or may not connect to my own research interests or teaching areas. I think it’s important for academics to read widely and well outside of their chosen disciplines, lest we become “mentats”—academics who only know a great deal about a very narrow area of the world. (Here I’m borrowing the category of human computer from one of my favorite sci-fi novels of all time, Frank Herbert’s Dune).

This past year, while continuing to recover from my close brush with death the previous year (I relate the story of my heart attack in a previous post), I chose many books dealing with the “big questions” of life, the universe, and everything (anybody familiar with Douglas Adams will get that reference). Why are we here on earth, where are we going, how will we know when we get there? That sort of thing. These are after all the questions that drove me to study Chinese and Japanese language and culture, to absorb the wisdom of the ages embodied in the great East Asian tradition. And they still drive me to this day.

While others prefer to be “buffeted by the episodic” (as one of my Dartmouth College history profs, Gere Daniell was fond of saying), I like to focus on the big and enduring questions that run like a thread though the history of humanity. Maybe that’s why I gravitate to big-picture people like Dante (whose wonderful documentary bio by Ric Burns I saw this past year) and Leonardo Da Vinci (ditto by brother Ken Burns which just came out last month), who asked big questions about life and death and everything in between.

But how do we approach these “big questions?” Through religion? Philosophy? Science and Nature? Music? Sci-Fi and Fantasy? Perhaps the best answer is “all of the above.” And while you might think my reading habits are a bit random, there is a method to my madness, as I will try to explain below.

Anyhow, I digress a bit. (Drumroll please) Here’s my list of faves from the past year’s reading.

Sci Fi and Fantasy

Lately, I’ve been indulging quite often in sci-fi and fantasy literature. Perhaps the desire to escape into another universe is just too strong to resist. Maybe my recent encounter with my own mortality has influenced this choice as well. Since I’ve proven my steadfast loyalty to George R. R. Martin and his Song of Ice and Fireseries or Game of Thrones—see last year’s reading post--it was time to try out Fire & Blood, the epic and massive prequel to the series, which inspired the HBO show House of the Dragon. I enjoyed both Seasons 1 and 2 of this show, which takes a sort of Shakespearean approach to the medieval dragon-invested fantasy world of Martin and his favorite family, the Targaryens (not to be confused with the Kardashians, nor with the Roys of HBO’s Succession fame, though there are intriguing parallels). I wasn’t sure how this long and detailed back-story of the world of Ice and Fire would compare with the action-packed swashbuckling stories of the Ice and Fire series. Yet once I started the book, I found it hard to put down, and I swept through the saga as if it were another volume of Ice and Fire. Despite the detailed and voluminous nature of the book, it still reads like a gripping work of fiction, and you find yourself following all the threads, all the kings and queens and princes and princesses and all their various friends and foes as they parade their way through the book. If only real history writing could be as interesting (a subject I will return to below). I’ve said it before, and I’m sure I’m not the first one to note that George R. R. Martin is the Stephen King of fantasy fiction—once you start reading, you just can’t put his books down (or perhaps you should never pick them up in the first place, but that’s another subject). All I can say is that for lovers of the Martin fantasy world, this book is a must read.

Last year, as I wrote in my previous post at the end of 2023, I decided to tackle the Isaac Asimov Foundation series, which I read in conjunction with watching the show along with my daughter (the show was interesting but was a great departure from the books). It was such a great revelation to read this series and find out how the master architect of space-faring sci fi paved the way for generations of visions about humanity’s quest for the stars. This year I picked up two Asimov novels, Caves of Steel and The Gods Themselves. Caves of Steel is a classic sci fi detective novel about a human detective, Elijah Baley, who is unwillingly partnered with a humanoid robot named R. Daneel Olivaw, to solve a crime. It’s a brilliant story that evokes a future world as powerfully as its successor Philip K. Dick and the novel Do Androids Dream of Electric Sheep that became the inspiration for the film Blade Runner, though Asimov’s world is funnier and not as dark as Dick’s portrayal of a world featuring replicants. The Gods Themselves is about a parallel universe, and a near-future world where humanity has learned to suck energy from that universe, only to learn that doing so may bring down both universes. It’s so far out there in terms of the thinking that it is literally mind-blowing, and the highlight is the second section which narrates the parallel universe and the heroic and bizarre creatures that inhabit it. I simply stand in awe of Asimov’s ability to conjure up worlds on scientific premises. Nobody can touch him. If Martin is the King of fantasy, Asimov is the Tolkien of sci-fi.

While I read some of Asimov’s books in my youth, Stanislaw Lem was my favorite sci-fi author in high school, and I think I read everything he wrote that had been translated into English language. Imagine my surprise and delight when at the beginning of this year I discovered a book of recently translated fiction by Lem, called The Truth and Other Stories. The short stories in the book represent the “scatterings from his workshop” as a fellow sci-fi author puts it, and they presage his brilliant novels and works of creative “non-fiction”. The sad and gripping story of a robot created just for the pleasure of being hunted down and destroyed by humans is alone worth the cost of the book. Like so much of his literature, this story delves deeply into the question of being, and whether sentient beings created by humans just for sport have souls and think as deeply as we do—a burning question for our current age of Generative AI. I only wish Lem had lived long enough to experience a chat with ChatGPT.

Having rekindled my love for this Polish sci-fi author, I tackled his most famous novel, Solaris, which I hadn’t read since college. This is a story about a spacefaring age when we have discovered an ocean planet with fascinating properties that suggest that the entire planet possesses some sort of intelligence. This sci-fi story then blends with a kind of horror story in which the human occupants of the station set up on its surface to investigate the planet are haunted by people from their past. Among the best features of this novel are the descriptions of the bizarre structures that emanate from the planet. The book gets you thinking about the nature of intelligence and our capacity as humans to identify alien forms of intelligence that are beyond our imagination. And then there is the probing of the human psyche by the planet itself. No wonder it was made into two films.

Since I live in China, I am not unaware of the great contributions that Chinese sci-fi authors have recently made to the genre. While I have yet to tackle the Three Body Problem (maybe that will be a project for this coming year), this past year I read another Chinese sci-fi story by Hao Jingfang called Vagabonds. I picked up the novel out of pure curiosity at the Foreign Language Bookstore in Shanghai, and it had been sitting on my shelf for a while, when I decided it was time to try it out. To be honest, it took me some time and a lot of patience and perseverance to really get into the story. It’s a slow burner all right, which spends a lot of time world-building before getting into the action. But for those with the patience to get through the first 200 pages, the book offers plenty of rewards as the story picks up in the middle and end. There are many things I like about this novel. First, the main protagonist is a young woman, who judging from her name is ethnically Chinese, though Chinese nationality does not seem to play any direct or obvious role in the story. Instead, the bifurcation is between Martians (humans living on Mars) and Earthers (folks living on Earth). Growing up in a city composed of glass tubes, under very different gravity conditions, the Martians have evolved a very different culture, ethos, and way of life to the Earthers. The main conflict of the story is between the Earthers and the Martians, who seem to have a far more socialist and collectivist mindset than the enterprising Earthers. Their inventions and discoveries get integrated into their system of life, rather than into a profit-oriented corporate economy. I think what the author does best is to describe this alternative world in great and fascinating detail, including how people dance, dine, socialize with and entertain each other. There is a lot of discussion about clothing and the technology that goes into fashion, which you won’t get in Lem or Asimov, that’s for sure. In other words, the author provides a more feminine, nuanced, and one could even say Chinese perspective on world-building. For that reason alone, it’s worth reading. The story itself could be stronger, but there is enough interesting action and culmination of story strands towards the end to make it a satisfying read.

Speaking of Philip K. Dick, I picked up a hard copy of the Man In The High Castle at the Foreign Language Bookstore a few months ago, and found it a very interesting read. Some say it’s his best work. I can’t testify to that because I haven’t read all his other books, but I found a very engaging story with a lot of food for thought. The premise of the story is that the Axis Powers won World War II, and now (c. 1960s when the book was published) the USA is divided between the West Coast occupied by the Japanese and the East Coast occupied by Nazi Germany. A very interesting proposition indeed, and it gets us to think more about the countries in the post-war era that were divided and occupied by the US and Soviet Union, notably Korea, not to mention Berlin.

Music

As followers of my research projects and posts know, I am a huge advocate of popular music in all its various manifestations. As a practicing (if not professional) musician myself, I listen to a lot of music every day, and I’m constantly learning to play, sing, and perform new songs on guitar or piano. I even dabble in songwriting, though I don’t perform my own songs much (maybe that will change soon). Anyhow, I always enjoy reading books about musical styles, bands, and musicians I like to listen to, and last year was no exception. Nick Mason, Inside Out: A Personal History of Pink Floyd was one book I enjoyed reading. I’d always been curious about the Pink Floyd story—how the band formed, how they discovered or created their own musical style, how and why they split up (well, why Roger Waters split from the band) and this book offers an insider’s view by the band’s drummer, who tells the story with a mixture of humility and humor. Another book that I enjoyed greatly was Lori Majewski and Jonathan Bernstein, Mad World. This book offers interviews with members of some of the most memorable bands from the 1980s, bands that were labeled “new wave” or progressive for the time, mostly coming out of the UK scene. These were bands that I followed and loved in my teen years (I’m thinking of writing a memoir called My Teen Ears but that’s another story for another time). It’s a real revelation to find out how they look back on their own musical achievements and on this age of musical exploration, when synthesized music became integrated into the musical mainstream and drum tracks started to replace real drummers. Though often looked down upon by musical purists, this was a great age of musical innovation, and the book is a fantastic record of that era. I discovered this book last summer (thanks Kindle Unlimited!) in conjunction with attending the Totally Tubular Music Festival in Boston, where I saw some of my musical heroes from the 1980s including the band Modern English (I Melt With You!), Tom Bailey from the Thompson Twins and Thomas Dolby (I discuss his new novel below).

As for my more “classical” musical tastes, while I delved into some books on Bob Dylan last year, this year I chose to focus on Leonard Cohen and The Beatles (I may do a deeper exploration of Bob Dylan next year). One was Sylvie Simmons, I’m Your Man: The Life of Leonard Cohen which is probably the best book on Cohen’s life and certainly the best biography of him that I’ve read so far. Cohen had such a fascinating life as an artist, from his early days in Montreal to his seven-year stint on the Greek island of Hydra, not to mention his time mingling with other bohemian artists in 1960s New York City. Then there was his five-year retreat to a Zen Buddhist monastery outside of LA in his later years, and his triumphal return to the stage towards the end of his life, and all the while he was creating compelling, mysterious and beautiful songs. Speaking of which, Harry Freedman, Leonard Cohen: The Mysterial Roots of Genius does a great job of illuminating the various influences including Biblical stories that inspired his songwriting.

Keeping with the subject of great songwriters, last year I picked up Ray Connolly, Being John Lennon on the recommendation of my favorite Beatles podcaster, Robert Rodriguez, (Something About The Beatles) who has interviewed Connolly on several occasions. Since I have already posted a lengthy review of this biography, I will just say that this is essential reading for any deep fan of Lennon and The Beatles. Speaking of which, I also recommend The Beatles Complete Chord Songbook for any musician looking for a comprehensive guidebook to their music. If you are a guitar player and wish to expand your knowledge of Beatles tunes, this is the best book for your collection. I used it last fall to cover every Beatles tune written and posted my covers on Youtube. I know that sounds nuts, but again, there’s a method to my madness and doing such things helps me improve my own musical skills and deepen my knowledge of music, as I relate in a previous post.

Another music history book I enjoyed last year around the time of Mozart’s birthday in January was Paul Johnson’s brief and cogent biography and analysis of the works of Mozart: A Life. Johnson is a wonderful guide and curator of the Mozart Museum, providing insights to many of his greatest works while placing them in historic context of his life, family, career, and environment, and all in a slim and easy to digest package. This book is worth another read for sure.

Academics

As I wrote earlier, this post is about my non-academic reading habits, not my academic ones, but I thought I’d include a few books here that have been helpful to me as an academic. One is Bryan Penprase and Noah Pickus, The New Global Universities. This book, co-written by a colleague of mine at Duke University, tells the stories of several global ventures in university-building in recent times. The only disappointment, though totally understandable, is that it doesn’t cover universities in China including our own Duke Kunshan University. If you want to get a deeper understanding of how universities have gone global in recent decades, this is the book to read.

Another book that I found quite useful for my own academic work is Mario Luis Small and Jessica McCory Calarco, Qualitative Literacy. This book offers many fine examples of how to do more nuanced and rich qualitative research and is a great boon to anthropologists, sociologists and ethnographers who conduct qualitative research and writing projects. Meanwhile, Tilar J. Mazzeo, How to Write a Bestseller gives excellent advice to academics about how to write for a broader audience than your colleagues in the field. If you want to write a history book that will read more like a George R. R. Martin novel than a yawny monograph, you should read this book. One good piece of advice: take yourself out of the story. No matter what your experience is as a researcher or writer, Howard S. Becker, Tricks of the Trade: How to Think About Your Research can help you think more deeply about your research projects. If you’re just starting out as a researcher, my dear colleagues Thomas Mullaney and Christopher Rea’s recent book Where Research Begins is a great way to think about how and where to begin.

If you’re a seasoned researcher and writer like myself but still find it hard to schedule your writing and integrate it into your busy life of teaching, advising, admin work, family life, and personal enjoyments, Joli Jensen, Write No Matter What: Advice for Academics provides you with a no-nonsense perspective, starting with the elimination of the false notion that as an academic you will have big chunks of time to write. Then the book offers much more practical advice on how to chip away at projects regardless of your limitations of time. One good piece of advice is to always keep one project on the “front burner” while others are simmering on the “back burner.” This is advice that I really take to heart, since I’m always pursuing multiple research, writing, and film projects while serving as a professor in a highly demanding academic institution.

Science and Nature

As readers of my blogsite know by now, I love trees. I also love birds. David George Haskell, The Songs of Trees brings these two loves together. It’s a poetic book about a deeply scientific subject, exploring how the world weaves together the various strands of biology into a great symphony of being. The complex and intricate relationships between flora and fauna in various parts of the world are lovingly described and analyzed by the author, who also inserts himself into the story as the observer, not afraid to get bitten, stung, entangled, or even poisoned by the environment he embeds himself into while learning firsthand about how nature really works.

On another note, Lyanda Lynn Haupt, Mozart’s Starling tells the story of the world’s most famous composer and his pet starling, and speculates how his singing bird may have inspired and influenced his compositions. She does this while also giving the reader plenty of vignettes of life with her own pet starling, a much maligned and misunderstood species of birds. It’s a wonderful story about the relationship between humans and our avian friends. And for Mozart lovers, the book provides many fine insights into his personal life and his career as a composer.

I also love stars, and reading Roger Penrose, Cycles of Time gives one a finer appreciation of them as one gazes out into the infinity of the cosmos beyond our tiny planet earth. How did the universe first arise? What was “there” before “there” was “there”? These are the great conundrums that humans have been pondering for millennia, and Penrose comes as close as any human can to providing some fascinating scientific explanations for the how and the why. I find this work mind-boggling in a good sense. Even though much of the science and the math in this book goes beyond the meager abilities and limitations of my own feeble human brain, I find it a great exercise to read such a book and try to understand some of the basic concepts.

Jim Goodman, Xishuangbanna: The Tropics of Yunnan was another book I enjoyed reading. I’m placing this book in the science and nature category even though it’s focused more on the human aspect of this part of the world. I found this to be a great read as we explored the area known as Xishuangbanna is the southwesternmost part of China last week (see my previous post). It’s a fine effort to integrate the natural and human world in a bid to understand what makes this part of China so complex and interesting, with so many distinct ethnicities and cultures that complement the astounding variety flora and fauna that occupy this tropical corner of the world.

Fiction and Poetry

I tend to read more non-fiction than fiction books, but here are some of my favorites from the past year outside of the sci-fi fantasy category that I explored above. One of my finer fiction reads was by the unlikely author Thomas Dolby, whom I’ve loved as a songwriter and musician since the early 1980s.  His first novel Prevailing Wind which came out last summer is a stunning debut. Like his songs, which capture poetic vignettes of life, he demonstrates a remarkable ability to capture a lost world of boating and sailing and to tell the intriguing story of the confluence of wealth and poverty in the yacht clubs of early 20th century New England. If you are drawn to the lost arts of yachting and sailing, this is a great read. Dolby obviously did his homework, and his grasp of nautical terminology alone makes the book worthwhile, but I have to say I was pleasantly surprised by the other aspects of the book as well, including the character development, the dialogue, and the thick descriptions of life in a small Maine coastal town and in turn-of-century New York City. This is a wonderful work of historical fiction--one of my favorite genres--by one of my favorite “new wave” songwriters from the 1980s.

This past year I spent a lot of time reading poetry and expanding my own collection of books of poetry. One of the great revelations for me was reading Lord Byron’s book Don Juan. The book is divided into sixteen “cantos” composed of one hundred or more verses each in identical form of iambic pentameter with a particular rhyme scheme, A B A B A B C C. While the story follows the life of the famous fictional character Don Juan and his many amorous adventures across the European landscape, the author indulges in many long digressions and disquisitions, all the while keeping up his trenchant sense of humor while subtly or not-so-subtly critiquing the society of which he was a staunch member, along with occasional bold attacks against his fellow poets Wordsworth and Southey (not even Keats emerges unscathed). The poetry alone is a work of great genius, and the book must be read along with annotations that illuminate all the various historical and cultural references he drops into each stanza. Admittedly it takes some time and a great deal of patience and persistence to get through each of the sixteen cantos, and one can easily lose the thread of his story and ideas (which he often admits and feels guilty about, though he never stops digressing). This book reminds me of Thomas Pynchon’s Gravity’s Rainbow. If Pynchon wrote poetry rather than prose, he would probably be very close to Byron in style.

Other than Pynchon, whose entire oeuvre I’ve read, some books more than once, one author I’ve kept up with consistently over the years is T. C. Boyle. I’ve always enjoyed his dark sense of humor and his ability to write from the perspectives of so many different characters. This year I found his book of short stories I Walk Between the Raindrops to be a very enjoyable reading experience, and very timely—there is even a story about a man caught on a cruise liner during the early stages of the global pandemic known as COVID-19. One of my favorites in this set is about a man who makes a deal with a woman to take her apartment after she passes, but she ends up outliving him (sorry to give it away, but you’ll still enjoy the story nonetheless).

There are a few works that I reread along with some that were new to me. I’ve been a fan of Jorge Luis Borges since college, and rereading Ficciones, his iconic collection of short stories and fictional non-fiction essays, was great fun. Talk about mind-blowing, each story twists your brain into a pretzel in different ways. Another book I picked up and ended up enjoying (though it’s a dark story indeed) was Disgrace. This book by the well-known South African author J. M. Coetzee focuses on the story of a 50-something academic who indulges in a casual affair with a student, doesn’t undergo the appropriate repudiations of his careless act, and ends up leaving academic life to join his daughter on her farm in the countryside. Her own encounter with sexual violence is a poignant counterpoint to his affair. It’s an unforgettable story about race relations, generational conflict, and family relations that goes beyond the time and the place.

Speaking of which, Herman Hesse, Siddhartha, is another classic that I read in college and revisited last year that explores life, sex, family, generation gaps, and the inner life. I’ve been a fan of Hesse’s work since college and have read most of his oeuvre over time, including several readings of his most famous novel The Glass Bead Game (I’m due for another reading soon), but I hadn’t revisited Siddhartha since I first read it as a college student, and since I’ve spent at least some of my career teaching and learning about the history of Buddhism, I thought it would be nice to return to this classic work. It was certainly worth a re-read, and for those who haven’t read it yet, I highly recommend it. What’s interesting is how the book is a reflection of the story of the original Buddha and his enlightenment in ancient India, and yet it is not about him, but about a contemporary of his who goes through his own individual journey towards enlightenment.

Another book I decided to reread after many years was Zen and the Art of Motorcycle Maintenance, by Robert Pirsig. I first read this book in college and read it again around 15 years ago while on a big road trip with my then six-year old daughter. This was my third read. I like the combination of the “on the road” story of the father and son, and the mental journey into his inner psyche in the form of a mysterious character named Phaedrus. Plenty of food for thought as he dissects western civilization and philosophy and compares the great thinkers of the West (including Aristotle) to the eastern traditions of Daoism and (not as much as the title suggests) Buddhism, as he searches for the nature of quality and how to recognize it. It’s a question that jibes with me in the realm of academic life, where everything is increasingly corporatized and quantified.

Rounding out the fiction section of this long annual book review is Seicho Matsumoto, Tokyo Express. Again, this was a book I picked up by chance at the Foreign Language Bookstore in Shanghai, the best English-language book shop in China. It’s a relatively short novel that takes place in Japan during the late 1940s and starts out with a suspicious “lover’s suicide” on a beach that is eventually investigated by local police and by Tokyo police as a possible murder case. The way the detectives eventually discover the truth is simply ingenious, having to do with train schedules, and I won’t say anymore except that this book is a must-read for any lover of mystery and detective novels, and of Japanese fiction.

Well, that pretty much sums up some of the best of my pleasure reading for the year. Hope to see you again this time next year for a roundup of 2025!

 

 

 

 

 

 

Getting Back to Banna: After All These Years It’s Still Magical, If A Lot More Touristy


The White Pagoda in Manting Park.

Xishuangbanna. The name resonates like a beacon, calling you back to a lush tropical paradise wedged in between southwest China’s Yunnan Province and the bordering countries of Myanmar, Thailand, and Laos. You’ve been there before, 26 years ago to be precise, and now you’re heading back to see how this part of China has weathered the 21st century. As predicted, it’s become a lot more accessible, and a great deal more commercialized and touristified. Yet it still holds its charms and natural beauty and is well worth a return visit.

The last time you came here was in 1998, with your mother. You went there to seek adventure, as a young man does, and your 55-year-old mom was up to the task. For a week, she accompanied you on bus rides over winding mountain roads to remote villages to visit the local temples. She even spent hours with you circumnavigating a reservoir in search of exotic birds, only to lose your way by dusk and you were fortunate to find a road and a van to take you back to civilization. But the peak experience of your journey was when a local young lady, a member of the Dai minority that dominates this part of China, invited you to her best friend’s wedding and you spent the afternoon eating and drinking with local Dai villagers in a stilted home, the kind the Dai were (and still are) famous for in China.

Now, you are your mother’s age when she accompanied you on that journey long ago, and you are taking your own teenage daughters and your wife on the return journey. You’re hoping to discover some of the same pathways and have similar experiences, though you know that’s impossible because 25 years have passed and China has carried on its merry way, marching into the new century in brazen glory. When you came here with your mother, you flew, but you had to change flights in Kunming. This time it’s a direct flight from Shanghai to Banna, bringing thousands of tourists who prefer the balmy sun of a tropical place to the cold and grey Shanghai winter. Far more tourists come from northern China. Most have flown and arrived in big tour packages and are being bussed around to the typical tourist sites. Many more live here in the winter, and cars from Henan, Hebei, Heilongjiang, and Beijing abound on the roads (you can tell from the license plates). New buildings and housing complexes are rising around the city of Jinghong like “mushrooms in spring rain” as the saying goes, and speculation is rife. On the other hand, the surrounded mountainsides that had been stripped bare by the rampant rubber tree industry are at least somewhat restored to their original greenery.

You arrive in Jinghong, the main city in the Banna region, and settle into your hotel, a Sheraton resort hotel in the southern part of town that reminds you of a White Lotus hotel. It’s big and capped with traditional style roofs, has a large pool in the back, and has plenty of tourists from all parts of China (and a few foreigners as well). You arrive in the afternoon and decide to head out to Manting Park in the city and check out the park and the Buddhist temple there. It’s a lovely park and temple and the golden temple statues blaze in the blue sky. It feels kind of like Thailand, but you’re still in China. They say Banna is the only place in China that really has a Southeast Asian feel to it, and you agree (though perhaps Hainan Island comes close as well).

The following morning, your wife talks to one of the attendees at the front entrance to the hotel, and he recommends a driver, a local man named Y, who appears in a white SUV. This will be a far more comfortable ride than the taxi you took yesterday. Mr. Y is a native of Banna of Hani ethnicity, and he proves the perfect guide for your four-day journey. This will be a somewhat less adventurous one than the one you took with your mother 25 years before, and more comfortable rides as well. But you’re much older, and you and your wife and daughters don’t have quite the same stamina as you and your mom did back then. Even so, you are ready and willing to get off the well-trodden path of tourism, which you eventually will do.

Time for some water splashing in Primitive Forest park.

On the first full day of your stay, you decide to visit the “Primitive Forest” located around an hour’s drive through and beyond the city. After braving city traffic your driver climbs the valley into the surrounding mountains (the city of Jinghong is surrounded on all sides by low mountains) and you reach the site. Buses of tourists are there at the entrance and more busloads show up. Your driver buys tickets (he can get a discount) and takes you to the gate, where you get on a vehicle that conveys you and other tourists up a mountain road to the first big station, a large open space surrounded by vendors selling sweets and snacks, where a man leads the tourists like a preacher his congregation or a DJ in a disco. Huge basins of water are set up around the perimeter. A group of costumed dancers walks down a ramp to the middle of the open space and performs. Then everyone is welcomed onto the space for a water splashing event. Known as po shui, this is a regular ritual in this part of China and one of the reasons why so many tourists come from all over China (and the world) to this remote place. The big event known as po shui jie takes place in April, but it seems that all round the year there are folks splashing water on each other. A cleansing ritual to be sure, and an exciting part of the tourist experience here in Banna.

Walking down the forest path

You and your family move on and take an hour long walk through the tropical forest, stepping on walkways made of bamboo strips. It’s a pleasant experience, though you are surrounded by tour groups marching on the same pathway.

The next day, your driver takes you to an even more faraway place, following the Lancang River on its southeastern course almost to the border of Laos. On the way (even though you are still in China) you go through a border station and the border police stop your car and ask where you are from and where you are going. They then wave you on to your destination: the Botanical Garden.

A stilted house in the Dai village

But before you arrive there, you stop in a traditional style Dai village, and a Dai woman shows you around the village and takes you up the stairs into her stilted home. It turns out there are four generations of Dai style homes in the village, she explains. You see some stilted homes that are obviously older, with traditional wood fittings, and others made of concrete that are clearly more modern. Beautiful plants and flowers decorate the homes and gardens of the village. At the end of the village tour, she takes you to a large hall where they are selling all kinds of local items: tea, fruits, and locally made silver jewelry, but with no obligation to buy anything.

In the Botanical Garden

You depart the village and continue your journey to the Botanical Garden, famous for its staggering variety of plants, trees, and flowers. After buying tickets and taking a vehicle to the center of the Garden, you walk around for a couple of hours, enjoying the scenery. The weather is typical of December: balmy, warm, sunny, not too hot, maybe around 25 degrees. It’s a pleasant afternoon to enjoy a stroll amidst forests of trees with names you barely recognize. Each tree is labeled for easy identification. It’s a botanist’s bonanza all right. You can pay to take a hot air balloon ride (not so much a ride, just a lift to a higher elevation), but you choose to view the Garden from ground level. Late in the afternoon, you walk all the way back to the Garden entrance and your driver takes you on a two-hour ride back to your hotel, which ends up taking longer owing to the traffic and some road construction.

Looking at tea plants on the foggy mountain

On the third day, you agree to be driven up into the mountains of Nannuoshan southwest of the city. This is Hani territory, and the driver is intimately familiar with the mountains. He takes you up a steep, winding mountain road, and towards the top of the mountain the fog thickens and it’s much colder than down below. You mildly regret not bringing your jacket, but with a long sleeve shirt you aren’t too uncomfortable.

The driver tells you that only the tea at this higher elevation is really good. He takes you down a mountain path surrounded by tea trees on which large spiders have built impressive spiderwebs, and you walk under the webs. He shows you that the best tea leaves are the buds on the very end of the branches.

Serving tea in a mountain teahouse

The driver takes you to a teahouse, newly built out of concrete, owned by friends. In the teahouse, his friend, also Hani, serves you white tea that is quickly steeped in hot water—up to 20 steepings are permitted. They feed you black peanuts and other snacks, and the teahouse wife sings a couple of Hani songs for your entertainment. Then they show you the back room where they bake and dry the tea leaves.

An 800 year old tea tree

After that, the driver takes you uphill to a spot where you walk down another mountain path to a locally famous tea tree. The tree is famous for its age: 800 years. The path, wide and well-constructed, then winds back up around the mountain to exit down the road where the driver picks you up after a 40-minute walk on the mountain path. As you walk the path, more trees are labeled for your edification. It’s quite a nice walk and far more pleasant than the one you took two days ago surrounded by waves of tourists. There are a few others on the path, but not enough to distract you from the quietude and the beautiful scenery (though it would be more beautiful if the fog lifted). An hour later you are back down the mountain and resting in your hotel.

Looking at jewelry in the night market in Jinghong

Later that evening your driver takes you to a night market in the middle of town. Row after row of shops selling exotic clothing and photography shops where you can dress up and have your photo taken. In the night market, there are food stalls and plenty of shops selling various knick knacks. It’s a lively place, “people mountain and people sea” as the Chinese say (meaning, big crowds).

Walking up the stairs to the Big Bodhisattva

Day four is your last day in Banna, and your flight back to Shanghai (a four-hour flight) is set for the evening. Around noontime, your driver takes you to the Big Buddha located on a hill overlooking the city from the north. You walk several sets of stairs up the hill, reaching the main hall, then the great Bodhistatva atop the hill, then a chedi complex behind that. It’s a rather long and hot hike up the stairs and takes at least 30 minutes of steady walking to get to the top. You enjoy the view from the hilltop and all the iconography and statuary of the various buildings—the elephants, nagas (snakelike dragonish lionfish beasts that grace the stairs) and other fantastical beings.

The Mei Mei Cafe in Jinghong

After coming back down from the hilltop, you tell the driver to go into town where you will rest at a café. Some friends who came here long ago recommended the Mei Mei Café, so you head there and are not disappointed. It’s a fine café with western food, great coffee and even better homemade ice cream. The café itself is in an oldish building, surrounded by greenery with outdoor seating in the front (where a string of cafes may be found) and in the back. It’s in the Jinglan hotel complex.

Then it’s time to head home to Shanghai and to the cold grey dreary winter, but you are carrying back fond memories of a family adventure, which though not quite as adventuresome as your last visit 26 years ago, will still be remembered for a long time to come. And hopefully, next time you will not wait so long before returning to Banna.

 

Afterthoughts on Beatles Mountain Project: How and Why I Recorded and Posted Covers of 180 Beatles Songs on Youtube

Good evening, everybody. Good evening from Kunshan, China, where I live and work, and where I have just completed my ongoing project recording cover versions of all the Beatles songs from A to Y. I just finished the last song on the list, which is “Your Mother Should Know”, and with that song, I complete this project and give it over to the world, for better or worse. So I thought since I had just completed the project, I might share some words about it, why I did it in the first place, and what I feel I've gotten out of it, maybe what you can get out of it too, if you're a musician especially.

So let's start with why I decided to do this crazy project, which is covering all the Beatles songs from A to Y. I think the first inspiration was when I picked up this book recently. It's called The Beatles Complete Chord Songbook, and it's one of many Beatles songbooks that I own and that I've collected over the years. But this is definitely, I would say, if you're going to buy one Beatles songbook, this is it. It's really a wonderful book. It's not perfect. No songbook is going to be perfect, but you can see how it has the chords, the lyrics, the chords.

Obviously, you have to know the tunes to play them. So you can go through this book, basically song by song, and play each song in the original key, or if like me, sometimes you have to transcribe the song or transpose it to a different key because it might be too high for you in the case of some of the Paul songs. I've tried my best to play all the songs in the original key, but sometimes I had to go low.

 So I think it was with this book that I got the inspiration. I was going to go through the entire book and play all the songs, and then I decided, hey, why not record myself playing them? Because you can always learn a lot by recording yourself playing songs if you want feedback on your songs, listen to the recording, maybe make adjustments to your playing and so forth. I think the other thing that I like about recording songs as a musician is that it kind of forces you to really hone the song so that you can play it smoothly, especially if you plan to release it to the public on Facebook or YouTube or some other social media, and so that your friends and family or the public at large can see the products of your work.

 Of course, you want to hone the songs and make them listenable. So recording yourself playing songs until you get them to play smoothly is, I think, a good practice for any musician, regardless of your level, regardless of whether you are a non-professional musician like myself or a professional musician. I think it's a good thing to do. So the other reason I did this was because I've been, you know, as I've explained in other videos I've made, I've been a lifelong Beatles fan. I've been a fan of the Beatles ever since I was four or five years old. They've been a big part of my life. They've been kind of the archetype of music for me. They are the, you know, the band that I always refer back to in my mind, and I thought it would be a good practice to systematically go through all their songs, even though it can feel a bit tedious to do that. Up until this time, up until I started this project, I should say, I knew quite a few Beatles songs.

 There are a few that I had under my belt either playing on guitar or on piano. I would say somewhere between maybe a quarter and a third of the songs in the Beatles canon I already was accustomed to playing and singing. Some of them I know quite well, some of them I play frequently. They're kind of a part of my repertoire. Others I had played occasionally or had tried out before, and then there were others that I had never played in my life. There were many that I had never tried out before. So that was interesting, learning songs that I had never tried to play, partly because, you know, some of the Beatles songs are just kind of less attractive to musicians who just want to play them on guitar or piano. Others are very attractive. Some are like, you know, must-haves for any guitarist or piano player who likes the Beatles, and others are kind of maybe a little bit obscure, or they just don't lend themselves well to covering them, especially as a solo artist.

 So it was interesting to go through all the songs and find out that actually all of them, every single one sounds pretty good. Mostly I played them on guitar. There were only a few cases where I decided it was best to play the song on piano, but mostly I was playing them on guitar, and I was thinking that when Paul or John or George wrote those songs, they wrote them using a guitar, or in Paul's case, sometimes a piano.

 So they started by writing the songs using a guitar or a piano and just playing them for themselves, and then they added all the panache to the songs, the orchestration, all the finishing touches, the vocal harmonies, all the wonderful packaging that makes them beautiful Beatles songs. But I think one thing that I love about the Beatles and all great music is that when you strip away the fancy packaging, you still have a great song. You don't need all that fancy packaging to have a wonderful song. I mean, what does a song come down to? It comes down to three things. A great song, or any song, really comes down to chords, melodies, and lyrics. And that is where I think the Beatles really shone as great artists.

 In all of their repertoire, there is not one song in their entire repertoire that isn't interesting in its own right, that doesn't have some unique feature to it. And I'm not, again, I'm not talking about all the bells and whistles, the orchestrations, the fancy, the vocal harmonies and all that, which is wonderful, but that's not what I'm talking about. I'm just talking about the basic structure, the chords, the verses, the bridges, et cetera, the basic melody, the lyrics.

 Every single Beatles song has some kind of unique twist to it. There is no Beatles song that just takes a boilerplate chord sequence and puts some good lyrics on it. No, every single song has interesting lyrics written over very interesting and unique melodies and chord changes. So they may be based on some fundamental kinds of music or styles, like, you know, a lot of Beatles songs are blues-based, but there's no Beatles song that doesn't take a little twist, interesting kind of unique twist, to that basic blues form and turn it into something new. And that was, I think, their genius as songwriters. And you really feel that when you go through each of their songs and try to replicate them, at least the most fundamental features of the song.

 So I think it's a wonderful exercise for any musician who loves the Beatles to try to go through all their songs. Again, it could be seen as a very tedious act. It certainly takes a lot of time. I devoted about one and a half to two hours a day to this task, and it's taken me a couple of months to complete it. I was probably, at first, I was trying to get in three songs a day, usually in the morning. So I would line up the songs, whatever was next in the alphabet. There are different ways to do this. I suppose you could do it by album by album, from their earliest albums to their latest albums. That would be another way to do this project.

 I just chose to do the A to Z method because of this chord book, so I could just go through each song. There are some songs in this book that I did leave out, and those are the more obscure, I would say, earliest songs that were never recorded on albums that we only heard later when the Anthology albums came out. Those songs were never really a part of my childhood or growing up. I didn't really learn about them until later. I don't cherish them the way that I cherish all the songs that went on to the album. So all the songs that I chose were on all of their major albums.

 So I would say there might be a dozen or more songs in this songbook that I left out, but pretty much if it's on a major album, I covered it. So I feel it's a good exercise. It's something that musicians can consider, especially if they love the Beatles. You have to love the Beatles, obviously, to undertake such a project. It's not an easy task. I'm sure there are many great musicians out there who are capable of doing it, but it does take a lot of time and patience and persistence. I did it literally every day for the last two months. I did not miss a day. So you have to work through, maybe you're feeling sick, maybe your voice is not feeling that great, maybe you're pressed for time, maybe you're feeling fatigued for some other reason. I think most musicians who are working musicians are probably used to working through all of those issues. But for me, it also meant sacrificing practicing other songs from other musicians, which I normally do in a day, and just focusing on the Beatles.

I think my method was pretty simple. I would wake up in the morning. Sometimes I would just go through the songs the night before just to kind of get them fresh into my mind, work out any kinks in the songs, any difficulties, and then I would play them in the morning. Usually I would run through the song once or twice before recording it. Sometimes I had to do a few takes before I got it right. So I would say each song from start to finish maybe took about 30 minutes of my time. Some of them I could get maybe on the first take after a little warm up because I'm used to playing them. Others, playing them for the first time, it may take a couple of takes to get it smooth. None of these are perfect. I don't think there's any such thing as perfection in covering music. And I did sometimes allow little flaws to creep into the songs, which you might hear if you listen to some of these songs. But my goal was not to make them perfect, but to make them smooth, to make them from start to finish, that if somebody wanted to listen to it, it would be a continuous, smooth process. The Beatles themselves made mistakes, which is part of the fun of listening to the Beatles.

 You can listen to the little mistakes that they make, and some of them are kind of enshrined in Beatles lore. And I think that's true of all recorded music. So yeah, the little imperfections kind of sometimes make the recordings even a little more fun. But the goal is to play through them smoothly, to at least get down the basic chord structure, verse and chorus structure, the bridge, all the fundamental features, the melody, the lyrics. In some of the songs, I went in using GarageBand and I added vocal harmonies. Some of them I used, I actually have two of these melodicas and I would use them to substitute for solos because I really didn't have time to learn the solos of like George Harrison, and I'm not a solo guitar player to begin with.

I don't spend a lot of time learning guitar solos. That's really not my thing. I'm a singer. I use guitar and piano to accompany my singing. So the focus was on singing and on just getting the chords, the chord changes, and backing up the vocals. But this came in handy and my other melodica as well came in handy when adding some little enhancements. So that was fun. That was a fun part of the project, but it took a lot of time. And eventually I decided, as I got towards the final stretch of the project, I kind of decided just to go with the recording itself and not add a lot of bells and whistles to it and just make it a very simple acoustic cover, which I think is very much in the spirit of this project, which is also to demonstrate how the Beatles songs work well no matter how you perform them, as long as you get the basic elements, the fundamental elements down.

 So there are all sorts of ways to cover songs, and I just chose kind of the fundamental, the real basics, and try to, you know, emulate them as best I can with whatever instrument that I'm playing, usually piano or guitar. So that's kind of how I went through and did it. There are a lot of great musicians on YouTube who do wonderful versions, wonderful covers of Beatles songs with a lot of complex, fancy, maybe guitar work or piano work, or sometimes they take different interpretations of them. But for me, it was more of a nuts and bolts thing. I want to get the basic song down. I want people to feel that they can sing along or they could harmonize with the song, or if somebody is a solo artist out there, they could play the guitar solo during the song if they wanted to.

 So that was kind of my basic strategy for getting through these songs. I didn't have a lot of time, you know, just a few minutes to get each song down and then lay it down as a recording and then work on it a little bit on the computer and then load it up to YouTube. And it's been interesting to see, you know, if there's any reaction to this project. Obviously, I'm an unknown musician and just throwing all this stuff out on YouTube. It's interesting to see. It's kind of like throwing bait into a vast ocean and seeing if any fish bite.

 So that's been an interesting process. I have gotten some likes on some of the videos and a few mostly, you know, very kind comments from people, which is always nice. It's always, you know, touching to know that somebody somewhere out there in the world, some other country heard the song, listened to it, thought it was a good cover, you know, gave it a thumbs up. That's always nice. It's interesting to see which songs get the most attention. I'm not quite sure how the whole process works.

 I'm not, you know, very well versed in YouTube algorithmics. There are a lot of people who really make a living posting their videos out onto YouTube and they understand all the dynamics of how this all works and how to get people to like your posts and to follow you and all that. And I don't know, it's just not it's that hasn't been my goal. I make a fine living as an academic, so I don't need the extra money from YouTube for my for my work, although it'd be nice. But, you know, it's been interesting to see which songs get more reactions. One thing that I found interesting was that one of the songs that seemed to get a lot of attention relative to the others was “I Am The Walrus”.

 And I'm not sure exactly why that song got so many more views than other songs, but I suspect maybe because, you know, a lot of the more obvious songs tend to be covered by a lot of artists, so people are probably used to seeing them being posted. But a song like “I Am The Walrus” probably gets less coverage and it's kind of a complicated song, both lyrically and in terms of the chords. So maybe some people want to know, oh, how did you cover that? What chords did you use to cover that song? I think for that song I basically used the chords that were in this book to cover that song.

 So that was one of the ones that got a lot of attention. And there were some others that I thought was, oh, that's interesting. Why is that song getting so much attention? One of them was “I'm So Tired” on the White Album, this John Lennon song. I don't know why it got so many views as opposed to the other songs. But yeah, it was interesting to see the dynamic, to see which songs started getting a lot of, you know, I'm just talking about maybe hundreds or maybe a thousand or more views. I'm not talking about going viral, but the ones that got more attention and the ones that it seems like very few people saw, if any.

 So that's an interesting dynamic. Again, if you have insights as to how this whole process works, please let me know. It's not something that I've investigated a lot. This is my first time posting a lot of videos on YouTube. I've kind of posted them, I've posted videos sporadically, but most of them have been about China and not about music per se. So that's been an interesting part of the process. I guess I'm going to leave these videos online and maybe organize them somehow and see where they go, see if they get any more attention or if they just disappear into the ocean of YouTube and social media and are never seen or heard from again. But I can tell you that, you know, if you're a musician and you're interested in undertaking such a project, please do let me know. I'm happy to share tips with you on how to do this, which I already have.

 So I would say probably if you're going to try to do this, you better know a lot of Beatles songs to begin with. It's definitely not the kind of project that a musician with no experience singing or playing Beatles songs can achieve. It's just, I don't think, unless you did it really slowly. I wanted to do this in a kind of reasonable span of time, so I devoted, you know, I gave myself a couple of months to complete the project. But I think, you know, I suppose another way to do it would be to do one song a day if you're still learning all these songs. But even that would be challenging because some of these songs really do take a lot of time to get down.

 And some of them I've been working on and playing for years and years and still don't feel that I, you know, have a really, you know, I don't know, you know, some of them I feel like, man, I really should know this song up and down, left and right by now. I've been playing it for so many years and yet still little pieces of it elude me because, let's face it, Beatles songs are complicated. Like I said, each song is unique.

 Each song has its own unique, like, musical footprint. And there are just complexities to these songs that make them not easy to learn or to memorize or to kind of, you know, become part of your repertoire. So I guess those are the thoughts that I have for now on this subject.

 I probably will go on to, you know, record some other artists now because I think I've given the Beatles quite a lot of attention and it's time to move on to some of my other favorite artists. So thank you for your attention. Thank you for supporting this project with your views and your likes and subscribing, etc., etc.

 And looking forward to your feedback. Bye, everybody.

 ( Transcribed by TurboScribe.ai)